5
from Parables by Rick Nance
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about
So. The trick is just to use your sax in any way possible to mimic the sounds. You can sing, scrape, materials (paper, weird reeds, internal octopi with remote controlled tentacles, whatever.
It's not improv, but there are a lot of physical and intellectual tools in common.
It's not improv, but there are a lot of physical and intellectual tools in common.
lyrics
I've given these things titles before, but I'm not really a fan of that in this case.
credits
from Parables,
released March 9, 2018
ujdr-hzvb
ujdr-hzvb
license
all rights reserved
tags
about
Rick Nance Leicester, UK
Sonic arts by ear, design and improvisation.
Some acousmatic, some not.
From the Southeast U.S. and now in the Midlands of England.
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RickNance.org
PlasticMusic.net
discography
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Nov 2020 -
Mar 2015 -
Aug 2022 -
Jan 1999
contact / help
Rick Nance recommends:
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Migration Of The Device
by Jeff McLeodFor a good look at the Deep South's dark soul and a good example of MCleod's overall work. Jeff is one of Alabama's most prolific performer/composers. A strong heart peering into a hard place.
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Unfurling Streams
by Monty AdkinsThis music borders dangerously on ambient, but remains compulsively engaging. It isn't the "furniture" of Satie and Eno. Instead it draws the listener into ever more subtle solutions and dust.
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The Wind at Beni Midar (2020 Remaster)
by Robert Scott ThompsonI first heard "Light Is A Liquid" in a Berlin concert hall. A surprise from Georgia. Later came "The Wind at Beni Midar". A cellist told me it was a "significant contribution to the cello repertoire"
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Moments Remixes
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Thinking of Blue Almonds Part One
by Lou Lyne & the Blue Almond ProjectSomber, beautiful string meditations abound on the debut album by Oxford cellist and composer Lou Lyne and her ensemble.
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Ki moun ou ye
by Nathalie JoachimVocalist, flutist, and composer blends traditional instrumentation with jazz-inflected neoclassical arrangements.
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